
Thanks to Michael for sliding me this link. Sasha is one of my favorite writers, with a great critical voice. “Diva” aside, Beyonce is a voice of this generation.
The Queen by Sasha Frere-Jones
Young black female singers rarely get past the red rope and into the Genius Lounge—the moody, the male, and the dead crowd that room. But with or without co-writers, Knowles does remarkable things with tone and harmony. The one time I met her, backstage at a Destiny’s Child concert in Peoria in 2000, she talked about listening to Miles Davis and Fela Kuti—affinities I didn’t know how to process until I heard “Apple Pie à la Mode,” from the following year’s Destiny’s Child album, “Survivor.” It’s a slinky song, something of a throwaway, except that Prince or D’Angelo could easily have done the throwing away. Who else in the stratosphere of R. & B. pop plays around with the conversational voice like Beyoncé? Who feels comfortable with adding so much unexpected, generous harmony to a trifle about a delicious crush? Anyone else with “Apple Pie à la Mode” in the bag would flip over backward, buy a retro-glam outfit, and construct an entire side project around it. Knowles simply kept moving. [The New Yorker]
Destiny’s Child “Apple Pie A La Mode”

Sasha Frere-Jones’s critiques make me dizzy at times but I usually agree with his assessments. I do music critiques that are armature at best but I’m studying different writers and how they articulate opinions. Who are some other critics you read?
Then again, if a 12-year-old and bust down NYC’s top restaurants, then I can give myself more credit.
lol. yeah his writing is complex but I like that…makes me slow down. I think he’s great and also like Rob Harvilla’s work from village voice, not just cause I write for him! ha. Kris Ex has a great critical voice and jon caramanica
For my own insight, can someone tell me when and how Beyonce came to be known as Queen Bey (really though)? Thanks.