Category: Rolling Stone


Britney is Not Okay


There is a new Britney Spears Rolling Stone cover story, Britney Returns, and also, reportedly, a new Britney Spears. Except I don’t really believe she’s returned in the mental sense, just physically. The only interesting point in her documentary “For the Record,” which didn’t really say much, was when she talked about not having control over her life anymore. And then she said, “I’m sad,” and she was crying. She must be sad, after all this: “The Tragedy of Britney Spears”. A great story published in February. You might say who cares, but that’s somebody’s life.

If there is one thing that has become clear in the past year of Britney’s collapse — the most public downfall of any star in history — it’s that she doesn’t want anything to do with the person the world thought she was. She is not a good girl. She is not America’s sweetheart. She is an inbred swamp thing who chain-smokes, doesn’t do her nails, tells reporters to “eat it, snort it, lick it, fuck it” and screams at people who want pictures for their little sisters. She is not someone who can live by the most basic social rules — she is someone who, when she has had her one- and two-year-old sons taken completely out of her care, with zero visitation rights, appeared at Los Angeles’ Superior Court to convince the judge to give her kids back, but then decided not to go inside, and she’s someone who did this twice. She’s the perfect celebrity for America in decline: Like President Bush, she just doesn’t give a fuck, but at least we won’t have to clean up after her mess for the rest of our lives. [Rolling Stone]

A Complex (Iron) Man

(Photograph: Sam Jones)

Rolling Stone’s new Robert Downey Jr. cover story is prit-ty good. But I usually hate when feature stories lede off with a restaurant scene. sometimes it’s not the writer’s fault. publicists just need to be more creative. grant us something more. Like many, I’ve only recently become infatuated with Robert Downey Jr., not just as an actor but as a person. Well, the person he gives us, anyway. I love his words (Enmeshment. Codependent neuroses. Grift) and the complexity of his sentences. Peep…

“I’m between two phases right now, pre-Iron Man and post-Iron Man, and the transition can be tricky,” he says, shifting and smoking. “It used to be, I’d drive onto a studio lot, and the guard was like, ‘Less Than Zero dude, I loved Chaplin!’ Now it’s, ‘Iron Man!’ It’s not an algorithm anymore. It’s a fixed number. Things have been zeroed out; it’s the beginning of something. But right now, it’s still a void, and we tend to think of the void as an abyss or a vacuum with nothing there. In fact, it’s a new road, and what you should do on this new road is close for repairs — close right away, because that old vehicle is not going to work on that new road. I mean, if the cosmos is a loving, healing thing that also spins real fast and erupts and does violent stuff, and if there really is some kind of order to the whole thing, then everything that’s led up to this moment has to be part of it, or the math doesn’t work. But in this transition phase, I really am trying to live as much like a lizard as I can. Hot, rock, sun, fly, tongue.”

But this Robert Downey Jr. feature from the March 2007 issue of Esquire… one of my favorite celebrity profiles I’ve ever read. The first time I read this piece I was so absolutely confused and lost in his words (“I’m gonna smoke a Camel non-filter in my sustainable T-shirt.”) It’s impossible to read quickly. And so it forced me to slow down. Even then, I missed some things. And thats whats so dope about it to me.


“Start in tight, Downey’s puss full frame, like so: his creased Valentine of a face has some puff and scarification on it, some overtorqued, Dakar Rally, desert-of-the-soul mileage, but he’s still hustling, still shape-shifting, still a man’s man and a ladies’ man, still a wanking matinee idol, liquid-brown boyish-shy eyes a-wobble, warm voice twanging from hoarse Jew’s-harp burble to wheezing, pennywhistle laugh in a fingersnap. Words–thousands upon thousands of words–burst yawping from him, seemingly unfiltered and unbidden, overflowing an instrumental self whose sole means of control is a steady-Eddie self-surrender, hugging shores of work, Wing Chun kung fu, and love. Grinning prisoner in a loose-fit jailhouse of kinetic bliss, forty-one years ancient, Robert Downey’s ripe and ready for his close-up

The Quiet One by Scott Raab